| You've got to push yourself harder. You've got | Above all, it's hard learning to live with vivid |
| to start looking for pictures nobody else could | mental images of scenes I cared for and failed |
| take. You've got to take the tools you have and | to photograph. It is the edgy existence within |
| probe deeper. - William Albert Allard | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| Pictures you have taken have an influence on | be made. - Sam Abell |
| those that you are going to make. | |
| That's life! - John Sexton | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| I think you have to have a real point of view | law of gravitation before going for a walk. |
| that's your own. You have to tell it your way. | Such rules and laws are deduced from the |
| And, I think that it's a mistake to shoot for a | accomplished fact; they are the products of |
| specific magazine's point of view because it's | reflection . . . - Edward Weston |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
|
|
Houston |
Mobile |
Tyler |
Dearborn |
Florissant |
Lafayette |
Newark |
Kennewick |
Durant |
Ormond Beach |
Whitewater |
Crossville |
Allen |
Danville |
Chiefland |
Blackfoot |
Worland |
Natick |
Canonsburg |
Dry Ridge |
Thedford |
Lolo |
Lebanon |
Lewisburg |
Galisteo |
Shawnee On Delaware |
Carol Stream |
Mission |
Atkins |
Pasadena |
|
|
| A room hung with pictures is a room hung with | The virtue of the camera is not the power it |
| thoughts. - Sir Joshua Reynolds | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| A good picture is equivalent to a good deed. | looking. - Brooks Anderson |
| - Vincent Van Gogh | |
| | One should really use the camera as though |
| No place is boring, if you've had a good | tomorrow you'd be stricken blind. |
| night's sleep and have a pocket full of | - Dorothea Lange |
| unexposed film. - Robert Adams | |
| | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
|