| It is not the language of painters but the | A mad, keen photographer needs to get out |
| language of nature which one should listen to. | into the world and work and make mistakes. |
| . . . The feeling for the things themselves, for | - Sam Abell |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | The camera makes everyone a tourist in other |
| | people's reality. - Susan Sontag |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | The virtue of the camera is not the power it |
| reactions and convictions. Ask yourself: | has to transform the photographer into an |
| "Does this subject move me to feel, think | artist, but the impulse it gives him to keep on |
| and dream? Can I visualize a print - my own | looking. - Brooks Anderson |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Fort Lauderdale |
Las Vegas |
Augusta |
Overland Park |
Fort Worth |
Gulfport |
Spring Hill |
New Smyrna Beach |
Rocky Hill |
Greenwood |
Buford |
Mount Holly |
Union |
Lancaster |
Jefferson City |
Lebanon |
Floresville |
Chandler |
Orange |
Ozark |
White Sulphur Springs |
Olympia |
Castro Valley |
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| A great photograph is one that fully expresses | ...words and pictures can work together to |
| what one feels, in the deepest sense, about | communicate more powerfully than either |
| what is being photographed. - Ansel | alone. -William Albert Allard |
| Adams | |
| | You've got to push yourself harder. You've got |
| You can find pictures anywhere. It's simply a | to start looking for pictures nobody else could |
| matter of noticing things and organizing them. | take. You've got to take the tools you have and |
| You just have to care about what's around you | probe deeper. - William Albert Allard |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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