| You've got to push yourself harder. You've got | Now to consult the rules of composition before |
| to start looking for pictures nobody else could | making a picture is a little like consulting the |
| take. You've got to take the tools you have and | law of gravitation before going for a walk. |
| probe deeper. - William Albert Allard | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| Photography records the gamut of feelings | reflection . . . - Edward Weston |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | Above all, it's hard learning to live with vivid |
| wealth and confusion man has created. | mental images of scenes I cared for and failed |
| - Edward Steichen | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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Miami |
Philadelphia |
Washington |
Dallas |
Pittsburgh |
Syracuse |
St. Louis |
Boca Raton |
Metairie |
Reading |
Van Nuys |
Columbia |
Fair Lawn |
Georgetown |
Cumming |
Mansfield |
Polson |
Peru |
San Luis Obispo |
La Quinta |
Lafayette |
Port Huron |
Liberty |
Stephenville |
Goodland |
Fenton |
Gardiner |
Shakopee |
La Place |
Braselton |
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| One should really use the camera as though | Sometimes you can tell a large story with a |
| tomorrow you'd be stricken blind. | tiny subject. - Eliot Porter |
| - Dorothea Lange | |
| | A picture is the expression of an impression. If |
| A mad, keen photographer needs to get out | the beautiful were not in us, how would we |
| into the world and work and make mistakes. | ever recognize it? - Ernst Haas |
| - Sam Abell | |
| | A good picture is equivalent to a good deed. |
| My own eyes are no more than scouts on a | - Vincent Van Gogh |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | |
| Weston | |
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