| "Simply look with perceptive eyes at the | You've got to push yourself harder. You've got |
| world about you, and trust to your own | to start looking for pictures nobody else could |
| reactions and convictions. Ask yourself: | take. You've got to take the tools you have and |
| "Does this subject move me to feel, think | probe deeper. - William Albert Allard |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Pictures you have taken have an influence on |
| convey - from the subject before me?" | those that you are going to make. |
| - Ansel Adams | That's life! - John Sexton |
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| Once photography enters your bloodstream, | Photography knows how to authenticate its |
| it's like a disease. - Anon | misrepresentations. - Mason Cooley |
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Chicago |
Brooklyn |
Houston |
Washington |
Tampa |
Lansing |
Raleigh |
Aurora |
Inglewood |
Fayetteville |
Shrewsbury |
Little Falls |
Hutchinson |
Albany |
Bay Minette |
Santa Fe |
West Memphis |
Spartanburg |
Portsmouth |
Norwood |
Queensbury |
St. Francisville |
Salina |
Marysville |
Twinsburg |
Laguna Beach |
Ville Platte |
Oshkosh |
Canyonville |
Dallas |
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| The camera makes everyone a tourist in other | I think the best pictures are often on the edges |
| people's reality. - Susan Sontag | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| My own eyes are no more than scouts on a | photographing the edges. - William Albert |
| preliminary search, for the camera's eye may | Allard |
| entirely change my idea. - Edward | |
| Weston | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| I almost never set out to photograph a | ever recognize it? - Ernst Haas |
| landscape, nor do I think of my camera as a | |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | |
| Rowell | |
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