| Pictures you have taken have an influence on | You can find pictures anywhere. It's simply a |
| those that you are going to make. | matter of noticing things and organizing them. |
| That's life! - John Sexton | You just have to care about what's around you |
| | and have a concern with humanity and the |
| Memory is very important, the memory of | human comedy. - Elliott Erwitt |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | A great photograph is one that fully expresses |
| sure that you haven't left any holes, that you've | what one feels, in the deepest sense, about |
| captured everything, because afterwards it will | what is being photographed. - Ansel |
| be too late. - Henri Cartier Bresson | Adams |
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Houston |
New York |
Chicago |
Philadelphia |
Clearwater |
Columbus |
Waterloo |
Herndon |
Watsonville |
Enid |
Skokie |
Boynton Beach |
Pulaski |
Gillette |
Duluth |
Wadsworth |
Cumberland |
Tahlequah |
Salina |
Piscataway |
Monticello |
Pontoon Beach |
Fairfield |
North Dartmouth |
Camden |
Lakeville |
Jefferson |
Eureka |
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| I almost never set out to photograph a | Now to consult the rules of composition before |
| landscape, nor do I think of my camera as a | making a picture is a little like consulting the |
| means of recording a mountain or an animal | law of gravitation before going for a walk. |
| unless I absolutely need a 'record shot'. My | Such rules and laws are deduced from the |
| first thought is always of light. - Galen | accomplished fact; they are the products of |
| Rowell | reflection . . . - Edward Weston |
| | |
| One should really use the camera as though | "Simply look with perceptive eyes at the |
| tomorrow you'd be stricken blind. | world about you, and trust to your own |
| - Dorothea Lange | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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