| You've got to push yourself harder. You've got | Sometimes you can tell a large story with a |
| to start looking for pictures nobody else could | tiny subject. - Eliot Porter |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| Pictures you have taken have an influence on | what is being photographed. - Ansel |
| those that you are going to make. | Adams |
| That's life! - John Sexton | |
| | You learn to see by practice. It's just like |
| Photography is a major force in explaining | playing tennis, you get better the more you |
| man to man. - Edward Steichen | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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San Francisco |
Houston |
Birmingham |
Reno |
Minneapolis |
Salt Lake City |
Portland |
Tuscaloosa |
Springfield |
Fall River |
Cedar Rapids |
Anniston |
Lakewood |
Valdosta |
Bluefield |
Hermiston |
Cape Coral |
Blacksburg |
Longview |
Surfside Beach |
Alexander City |
Caldwell |
Kittery |
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| It is not the language of painters but the | Photography suits the temper of this ageof |
| language of nature which one should listen to. | active bodies and minds. It is a perfect |
| . . . The feeling for the things themselves, for | medium for one whose mind is teeming with |
| reality, is more important than the feeling for | ideas, imagery, for a prolific worker who |
| pictures. - Vincent Van Gogh | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| [Photography] is a way of feeling, of touching, | decisively, accurately. - Edward Weston |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | The virtue of the camera is not the power it |
| long after you have forgotten everything. | has to transform the photographer into an |
| - Aaron Siskind | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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