| One should really use the camera as though | Photography records the gamut of feelings |
| tomorrow you'd be stricken blind. | written on the human face, the beauty of the |
| - Dorothea Lange | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| The difficulty with color is to go beyond the | - Edward Steichen |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | Memory is very important, the memory of |
| something. It's difficult. So often color gets | each photo taken, flowing at the same speed |
| caught up in color, and it becomes merely | as the event. During the work, you have to be |
| decorative. Some photographers use [ it ] | sure that you haven't left any holes, that you've |
| brilliantly to make visual statements combining | captured everything, because afterwards it will |
| color and content; otherwise it is empty. | be too late. - Henri Cartier Bresson |
| - Mary Ellen Mark | |
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Indianapolis |
Phoenix |
Fort Worth |
Mobile |
Columbus |
Aurora |
Oakland |
Norfolk |
Providence |
Fayetteville |
Orlando |
Monterey Park |
Santa Rosa |
Shelby |
Kokomo |
Sewickley |
Eastland |
Dunmore |
Lexington |
Metairie |
Vallejo |
Fort Mill |
Franklin |
Germantown |
Frankfort |
Vienna |
King Of Prussia |
Waukegan |
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| You can find pictures anywhere. It's simply a | Now to consult the rules of composition before |
| matter of noticing things and organizing them. | making a picture is a little like consulting the |
| You just have to care about what's around you | law of gravitation before going for a walk. |
| and have a concern with humanity and the | Such rules and laws are deduced from the |
| human comedy. - Elliott Erwitt | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
| You learn to see by practice. It's just like | |
| playing tennis, you get better the more you | Once photography enters your bloodstream, |
| play. The more you look around at things, the | it's like a disease. - Anon |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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