| The virtue of the camera is not the power it | Memory is very important, the memory of |
| has to transform the photographer into an | each photo taken, flowing at the same speed |
| artist, but the impulse it gives him to keep on | as the event. During the work, you have to be |
| looking. - Brooks Anderson | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| One should really use the camera as though | be too late. - Henri Cartier Bresson |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | Photography is a major force in explaining |
| | man to man. - Edward Steichen |
| A mad, keen photographer needs to get out | |
| into the world and work and make mistakes. | |
| - Sam Abell | |
|
|
New York |
Oklahoma City |
Augusta |
Allentown |
Rochester |
Sanford |
Bronx |
Mundelein |
Spearfish |
Guntersville |
Waltham |
Sedalia |
Forest City |
Pittsburgh |
Chattanooga |
Richardson |
Palatine |
Twin Falls |
South Lake Tahoe |
Solvang |
Easton |
Millville |
Erie |
|
|
| "Simply look with perceptive eyes at the | Keep it simple. - Alfred Eienstaedt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A picture is the expression of an impression. If |
| "Does this subject move me to feel, think | the beautiful were not in us, how would we |
| and dream? Can I visualize a print - my own | ever recognize it? - Ernst Haas |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | A room hung with pictures is a room hung with |
| - Ansel Adams | thoughts. - Sir Joshua Reynolds |
| | |
| Above all, it's hard learning to live with vivid | Sometimes you can tell a large story with a |
| mental images of scenes I cared for and failed | tiny subject. - Eliot Porter |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
|