| The difficulty with color is to go beyond the | A great photograph is one that fully expresses |
| fact that it's color to have it be not just a | what one feels, in the deepest sense, about |
| colorful picture but really be a picture about | what is being photographed. - Ansel |
| something. It's difficult. So often color gets | Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | A room hung with pictures is a room hung with |
| brilliantly to make visual statements combining | thoughts. - Sir Joshua Reynolds |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
|
|
Portland |
Detroit |
Oklahoma City |
Warren |
Saginaw |
Belleville |
Sarasota |
Palm Desert |
Clearwater |
Dickson |
Norfolk |
Colorado Springs |
Cuyahoga Falls |
Murfreesboro |
Corning |
Pensacola |
Sylacauga |
Beaumont |
Rosemead |
Lexington |
Houston |
Twentynine Palms |
Stockbridge |
|
|
| Once photography enters your bloodstream, | Photography knows how to authenticate its |
| it's like a disease. - Anon | misrepresentations. - Mason Cooley |
| | |
| "Simply look with perceptive eyes at the | Memory is very important, the memory of |
| world about you, and trust to your own | each photo taken, flowing at the same speed |
| reactions and convictions. Ask yourself: | as the event. During the work, you have to be |
| "Does this subject move me to feel, think | sure that you haven't left any holes, that you've |
| and dream? Can I visualize a print - my own | captured everything, because afterwards it will |
| personal statement of what I feel and want to | be too late. - Henri Cartier Bresson |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|