| Sometimes you can tell a large story with a | Photography knows how to authenticate its |
| tiny subject. - Eliot Porter | misrepresentations. - Mason Cooley |
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| A good picture is equivalent to a good deed. | Memory is very important, the memory of |
| - Vincent Van Gogh | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| You can find pictures anywhere. It's simply a | sure that you haven't left any holes, that you've |
| matter of noticing things and organizing them. | captured everything, because afterwards it will |
| You just have to care about what's around you | be too late. - Henri Cartier Bresson |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | |
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Baltimore |
Colorado Springs |
Philadelphia |
Clearwater |
Pocatello |
Ormond Beach |
Canby |
Cabot |
Greeley |
West Point |
Norwood |
Grand Rapids |
Boise |
East Lansing |
Bradenton |
Hanover |
Saint Charles |
Provincetown |
Burlington |
Forsyth |
Buffalo |
Decatur |
Princeton |
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| The camera makes everyone a tourist in other | It is not the language of painters but the |
| people's reality. - Susan Sontag | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| A mad, keen photographer needs to get out | reality, is more important than the feeling for |
| into the world and work and make mistakes. | pictures. - Vincent Van Gogh |
| - Sam Abell | |
| | Now to consult the rules of composition before |
| I almost never set out to photograph a | making a picture is a little like consulting the |
| landscape, nor do I think of my camera as a | law of gravitation before going for a walk. |
| means of recording a mountain or an animal | Such rules and laws are deduced from the |
| unless I absolutely need a 'record shot'. My | accomplished fact; they are the products of |
| first thought is always of light. - Galen | reflection . . . - Edward Weston |
| Rowell | |
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