| One should really use the camera as though | Sometimes you can tell a large story with a |
| tomorrow you'd be stricken blind. | tiny subject. - Eliot Porter |
| - Dorothea Lange | |
| | A picture is the expression of an impression. If |
| The difficulty with color is to go beyond the | the beautiful were not in us, how would we |
| fact that it's color to have it be not just a | ever recognize it? - Ernst Haas |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | A room hung with pictures is a room hung with |
| caught up in color, and it becomes merely | thoughts. - Sir Joshua Reynolds |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Phoenix |
New Orleans |
Clearwater |
Philadelphia |
El Paso |
Oklahoma City |
Biloxi |
Stamford |
Scottsdale |
Camarillo |
Oak Harbor |
New Martinsville |
Lahaina |
Peabody |
Winnie |
Sidney |
Grundy |
Los Lunas |
Tell City |
St. Croix Falls |
Humble |
Chelmsford |
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| [Photography] is a way of feeling, of touching, | Photography is about finding out what can |
| of loving. What you have caught on film is | happen in the frame. When you put four |
| captured forever . . . it remembers little things, | edges around some facts, you change those |
| long after you have forgotten everything. | facts. - Gary Winogrand |
| - Aaron Siskind | |
| | I think you have to have a real point of view |
| It is not the language of painters but the | that's your own. You have to tell it your way. |
| language of nature which one should listen to. | And, I think that it's a mistake to shoot for a |
| . . . The feeling for the things themselves, for | specific magazine's point of view because it's |
| reality, is more important than the feeling for | never going to be as good. You have to shoot |
| pictures. - Vincent Van Gogh | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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