| "Simply look with perceptive eyes at the | A picture is the expression of an impression. If |
| world about you, and trust to your own | the beautiful were not in us, how would we |
| reactions and convictions. Ask yourself: | ever recognize it? - Ernst Haas |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | A good picture is equivalent to a good deed. |
| personal statement of what I feel and want to | - Vincent Van Gogh |
| convey - from the subject before me?" | |
| - Ansel Adams | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
| It is not the language of painters but the | |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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San Francisco |
Chicago |
Jackson |
Greenville |
Galveston |
West Palm Beach |
State College |
Sioux Falls |
Pekin |
Geneva |
Grand Rapids |
Brady |
Riviera Beach |
Malvern |
Union |
Midvale |
Angola |
International Falls |
Silverdale |
Ranger |
San Mateo |
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| One should really use the camera as though | Photography knows how to authenticate its |
| tomorrow you'd be stricken blind. | misrepresentations. - Mason Cooley |
| - Dorothea Lange | |
| | Memory is very important, the memory of |
| I almost never set out to photograph a | each photo taken, flowing at the same speed |
| landscape, nor do I think of my camera as a | as the event. During the work, you have to be |
| means of recording a mountain or an animal | sure that you haven't left any holes, that you've |
| unless I absolutely need a 'record shot'. My | captured everything, because afterwards it will |
| first thought is always of light. - Galen | be too late. - Henri Cartier Bresson |
| Rowell | |
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