| The difficulty with color is to go beyond the | Above all, it's hard learning to live with vivid |
| fact that it's color to have it be not just a | mental images of scenes I cared for and failed |
| colorful picture but really be a picture about | to photograph. It is the edgy existence within |
| something. It's difficult. So often color gets | me of these unmade images that is the only |
| caught up in color, and it becomes merely | assurance that the best photographs are yet to |
| decorative. Some photographers use [ it ] | be made. - Sam Abell |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | There is nothing worse than a sharp image of |
| - Mary Ellen Mark | a fuzzy concept. - Ansel Adams |
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San Diego |
Los Angeles |
Phoenix |
Seattle |
Youngstown |
Springfield |
Toledo |
Colorado Springs |
Bothell |
Macomb |
Luverne |
Gaylord |
Indio |
Canandaigua |
Fishkill |
Bedford |
Vancouver |
Polson |
Volcano |
Burley |
Wheeling |
Wailua, Kauai |
Mckinney |
Omak |
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| A great photograph is one that fully expresses | You've got to push yourself harder. You've got |
| what one feels, in the deepest sense, about | to start looking for pictures nobody else could |
| what is being photographed. - Ansel | take. You've got to take the tools you have and |
| Adams | probe deeper. - William Albert Allard |
| | |
| A room hung with pictures is a room hung with | Photography records the gamut of feelings |
| thoughts. - Sir Joshua Reynolds | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| A good picture is equivalent to a good deed. | wealth and confusion man has created. |
| - Vincent Van Gogh | - Edward Steichen |
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