| You've got to push yourself harder. You've got | Once photography enters your bloodstream, |
| to start looking for pictures nobody else could | it's like a disease. - Anon |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | Now to consult the rules of composition before |
| | making a picture is a little like consulting the |
| I think you have to have a real point of view | law of gravitation before going for a walk. |
| that's your own. You have to tell it your way. | Such rules and laws are deduced from the |
| And, I think that it's a mistake to shoot for a | accomplished fact; they are the products of |
| specific magazine's point of view because it's | reflection . . . - Edward Weston |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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New York |
Chicago |
Indianapolis |
Columbus |
Miami |
Dallas |
Fayetteville |
Santa Barbara |
Erie |
Goldsboro |
Saginaw |
Leominster |
Stockton |
Detroit |
Bridgeport |
Westminster |
Mobile |
Flint |
Atmore |
Deming |
Houston |
Rolla |
Massapequa Park |
Belfast |
Conneaut |
Manchester |
La Mirada |
North Highlands |
Cascade Locks |
Emporia |
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| Photography suits the temper of this ageof | Keep it simple. - Alfred Eienstaedt |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | A great photograph is one that fully expresses |
| ideas, imagery, for a prolific worker who | what one feels, in the deepest sense, about |
| would be slowed down by painting or | what is being photographed. - Ansel |
| sculpting, for one who sees quickly and acts | Adams |
| decisively, accurately. - Edward Weston | |
| | Sometimes you can tell a large story with a |
| One should really use the camera as though | tiny subject. - Eliot Porter |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
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