| Photography is about finding out what can | I think the best pictures are often on the edges |
| happen in the frame. When you put four | of any situation, I don't find photographing the |
| edges around some facts, you change those | situation nearly as interesting as |
| facts. - Gary Winogrand | photographing the edges. - William Albert |
| | Allard |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | No place is boring, if you've had a good |
| earth and skies that man has inherited and the | night's sleep and have a pocket full of |
| wealth and confusion man has created. | unexposed film. - Robert Adams |
| - Edward Steichen | |
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St. Louis |
Buffalo |
Irvine |
Lancaster |
Schaumburg |
Naperville |
Mansfield |
Reading |
Alexandria |
Valdosta |
Simi Valley |
San Marcos |
Westminster |
Moulton |
Tulsa |
Branson |
Monroe |
Eden |
Uvalde |
Fond Du Lac |
Emporia |
Three Rivers |
Waterloo |
Horsham |
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| [Photography] is a way of feeling, of touching, | I almost never set out to photograph a |
| of loving. What you have caught on film is | landscape, nor do I think of my camera as a |
| captured forever . . . it remembers little things, | means of recording a mountain or an animal |
| long after you have forgotten everything. | unless I absolutely need a 'record shot'. My |
| - Aaron Siskind | first thought is always of light. - Galen |
| | Rowell |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | The difficulty with color is to go beyond the |
| reactions and convictions. Ask yourself: | fact that it's color to have it be not just a |
| "Does this subject move me to feel, think | colorful picture but really be a picture about |
| and dream? Can I visualize a print - my own | something. It's difficult. So often color gets |
| personal statement of what I feel and want to | caught up in color, and it becomes merely |
| convey - from the subject before me?" | decorative. Some photographers use [ it ] |
| - Ansel Adams | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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