| No place is boring, if you've had a good | Photography records the gamut of feelings |
| night's sleep and have a pocket full of | written on the human face, the beauty of the |
| unexposed film. - Robert Adams | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| I think the best pictures are often on the edges | - Edward Steichen |
| of any situation, I don't find photographing the | |
| situation nearly as interesting as | You've got to push yourself harder. You've got |
| photographing the edges. - William Albert | to start looking for pictures nobody else could |
| Allard | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
|
|
Houston |
Las Vegas |
Louisville |
Raleigh |
Birmingham |
South Bend |
Fresno |
Concord |
Mount Pleasant |
Hot Springs |
Lancaster |
Greensburg |
Sylacauga |
Ellicott City |
Garner |
Lisle |
St. Albans |
Lanham |
Red River |
Farmington |
Anderson |
Cape Coral |
Westampton |
Coconut Grove |
Wyomissing |
|
|
| "Simply look with perceptive eyes at the | My own eyes are no more than scouts on a |
| world about you, and trust to your own | preliminary search, for the camera's eye may |
| reactions and convictions. Ask yourself: | entirely change my idea. - Edward |
| "Does this subject move me to feel, think | Weston |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | I almost never set out to photograph a |
| convey - from the subject before me?" | landscape, nor do I think of my camera as a |
| - Ansel Adams | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| It is not the language of painters but the | first thought is always of light. - Galen |
| language of nature which one should listen to. | Rowell |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
|