| Sometimes you can tell a large story with a | My own eyes are no more than scouts on a |
| tiny subject. - Eliot Porter | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| A room hung with pictures is a room hung with | Weston |
| thoughts. - Sir Joshua Reynolds | |
| | The difficulty with color is to go beyond the |
| You can find pictures anywhere. It's simply a | fact that it's color to have it be not just a |
| matter of noticing things and organizing them. | colorful picture but really be a picture about |
| You just have to care about what's around you | something. It's difficult. So often color gets |
| and have a concern with humanity and the | caught up in color, and it becomes merely |
| human comedy. - Elliott Erwitt | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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New Orleans |
San Diego |
Baltimore |
Irvine |
Tulsa |
Newark |
Hanover |
Framingham |
Sandwich |
Gastonia |
Winona |
Iowa City |
Bedford |
Paducah |
Ithaca |
Elkhart |
St. Francisville |
Tacoma |
Allentown Whitehall |
Hapeville |
King |
Hobbs |
Bolingbrook |
Safford |
Ft Payne |
Fairview Park |
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| Above all, it's hard learning to live with vivid | Photography is a major force in explaining |
| mental images of scenes I cared for and failed | man to man. - Edward Steichen |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | Pictures you have taken have an influence on |
| assurance that the best photographs are yet to | those that you are going to make. |
| be made. - Sam Abell | That's life! - John Sexton |
| | |
| It is not the language of painters but the | Memory is very important, the memory of |
| language of nature which one should listen to. | each photo taken, flowing at the same speed |
| . . . The feeling for the things themselves, for | as the event. During the work, you have to be |
| reality, is more important than the feeling for | sure that you haven't left any holes, that you've |
| pictures. - Vincent Van Gogh | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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