| No place is boring, if you've had a good | Photography is a major force in explaining |
| night's sleep and have a pocket full of | man to man. - Edward Steichen |
| unexposed film. - Robert Adams | |
| | Photography is about finding out what can |
| I think the best pictures are often on the edges | happen in the frame. When you put four |
| of any situation, I don't find photographing the | edges around some facts, you change those |
| situation nearly as interesting as | facts. - Gary Winogrand |
| photographing the edges. - William Albert | |
| Allard | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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| A mad, keen photographer needs to get out | [Photography] is a way of feeling, of touching, |
| into the world and work and make mistakes. | of loving. What you have caught on film is |
| - Sam Abell | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| The camera makes everyone a tourist in other | - Aaron Siskind |
| people's reality. - Susan Sontag | |
| | Photography is my passion. - Alfred |
| The virtue of the camera is not the power it | Stieglitz |
| has to transform the photographer into an | |
| artist, but the impulse it gives him to keep on | "Simply look with perceptive eyes at the |
| looking. - Brooks Anderson | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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