| Photography knows how to authenticate its | Now to consult the rules of composition before |
| misrepresentations. - Mason Cooley | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| Memory is very important, the memory of | Such rules and laws are deduced from the |
| each photo taken, flowing at the same speed | accomplished fact; they are the products of |
| as the event. During the work, you have to be | reflection . . . - Edward Weston |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | [Photography] is a way of feeling, of touching, |
| be too late. - Henri Cartier Bresson | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
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| You learn to see by practice. It's just like | One should really use the camera as though |
| playing tennis, you get better the more you | tomorrow you'd be stricken blind. |
| play. The more you look around at things, the | - Dorothea Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | I almost never set out to photograph a |
| and what can't be photographed. You just have | landscape, nor do I think of my camera as a |
| to keep doing it. - Eliot Porter | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| A great photograph is one that fully expresses | first thought is always of light. - Galen |
| what one feels, in the deepest sense, about | Rowell |
| what is being photographed. - Ansel | |
| Adams | |
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