| You learn to see by practice. It's just like | The camera makes everyone a tourist in other |
| playing tennis, you get better the more you | people's reality. - Susan Sontag |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | A mad, keen photographer needs to get out |
| more you realize what can be photographed | into the world and work and make mistakes. |
| and what can't be photographed. You just have | - Sam Abell |
| to keep doing it. - Eliot Porter | |
| | Photography suits the temper of this ageof |
| You can find pictures anywhere. It's simply a | active bodies and minds. It is a perfect |
| matter of noticing things and organizing them. | medium for one whose mind is teeming with |
| You just have to care about what's around you | ideas, imagery, for a prolific worker who |
| and have a concern with humanity and the | would be slowed down by painting or |
| human comedy. - Elliott Erwitt | sculpting, for one who sees quickly and acts |
| | decisively, accurately. - Edward Weston |
|
|
Houston |
Los Angeles |
Philadelphia |
San Francisco |
Sacramento |
Salem |
Lake City |
Boise |
Norfolk |
Gary |
Laredo |
Lafayette |
Waukegan |
Florence |
Marshall |
Marysville |
Tampa |
Bartlesville |
Lexington |
Donna |
Ottawa |
Delano |
Bennington |
|
|
| Photography takes an instant out of time, | Pictures you have taken have an influence on |
| altering life by holding it still. - Dorothea | those that you are going to make. |
| Lange | That's life! - John Sexton |
| | |
| "Simply look with perceptive eyes at the | You've got to push yourself harder. You've got |
| world about you, and trust to your own | to start looking for pictures nobody else could |
| reactions and convictions. Ask yourself: | take. You've got to take the tools you have and |
| "Does this subject move me to feel, think | probe deeper. - William Albert Allard |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography is about finding out what can |
| convey - from the subject before me?" | happen in the frame. When you put four |
| - Ansel Adams | edges around some facts, you change those |
| | facts. - Gary Winogrand |
|