| I think you have to have a real point of view | You can find pictures anywhere. It's simply a |
| that's your own. You have to tell it your way. | matter of noticing things and organizing them. |
| And, I think that it's a mistake to shoot for a | You just have to care about what's around you |
| specific magazine's point of view because it's | and have a concern with humanity and the |
| never going to be as good. You have to shoot | human comedy. - Elliott Erwitt |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | No place is boring, if you've had a good |
| | night's sleep and have a pocket full of |
| Pictures you have taken have an influence on | unexposed film. - Robert Adams |
| those that you are going to make. | |
| That's life! - John Sexton | |
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Los Angeles |
Minneapolis |
Bakersfield |
Lansing |
Edison |
Lawrenceville |
Woodbridge |
Oneonta |
San Jose |
Oak Lawn |
Monticello |
Plainview |
Beverly Hills |
Amesbury |
Garden Grove |
Snellville |
Eunice |
Woodward |
Port Jefferson |
Marion |
Macon |
Northlake |
Portage |
Erick |
Pocomoke City |
Dillard |
Shelton |
San Simeon |
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| There is nothing worse than a sharp image of | I almost never set out to photograph a |
| a fuzzy concept. - Ansel Adams | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| Above all, it's hard learning to live with vivid | unless I absolutely need a 'record shot'. My |
| mental images of scenes I cared for and failed | first thought is always of light. - Galen |
| to photograph. It is the edgy existence within | Rowell |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | A mad, keen photographer needs to get out |
| be made. - Sam Abell | into the world and work and make mistakes. |
| | - Sam Abell |
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