| Memory is very important, the memory of | Once photography enters your bloodstream, |
| each photo taken, flowing at the same speed | it's like a disease. - Anon |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | "Simply look with perceptive eyes at the |
| captured everything, because afterwards it will | world about you, and trust to your own |
| be too late. - Henri Cartier Bresson | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| You've got to push yourself harder. You've got | and dream? Can I visualize a print - my own |
| to start looking for pictures nobody else could | personal statement of what I feel and want to |
| take. You've got to take the tools you have and | convey - from the subject before me?" |
| probe deeper. - William Albert Allard | - Ansel Adams |
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Houston |
Phoenix |
Pittsburgh |
Alexandria |
Colorado Springs |
Kingsport |
Arlington |
Jacksonville |
Kissimmee |
Springfield |
Joplin |
Farmington Hills |
Anderson |
Bozeman |
Berkeley |
Neenah |
De Soto |
Imperial Beach |
Plainview |
Brazelton |
Davenport |
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| A mad, keen photographer needs to get out | Sometimes you can tell a large story with a |
| into the world and work and make mistakes. | tiny subject. - Eliot Porter |
| - Sam Abell | |
| | A good picture is equivalent to a good deed. |
| Photography suits the temper of this ageof | - Vincent Van Gogh |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | No place is boring, if you've had a good |
| ideas, imagery, for a prolific worker who | night's sleep and have a pocket full of |
| would be slowed down by painting or | unexposed film. - Robert Adams |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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