| I think the best pictures are often on the edges | Photography is about finding out what can |
| of any situation, I don't find photographing the | happen in the frame. When you put four |
| situation nearly as interesting as | edges around some facts, you change those |
| photographing the edges. - William Albert | facts. - Gary Winogrand |
| Allard | |
| | Photography is a major force in explaining |
| No place is boring, if you've had a good | man to man. - Edward Steichen |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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New York |
Tampa |
Brooklyn |
Chicago |
Myrtle Beach |
Lakewood |
Laredo |
Pittsfield |
Ithaca |
Collierville |
Slidell |
Jonesboro |
Trinidad |
Vandalia |
Spencer |
Raleigh |
College Park |
Chandler |
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North Plainfield |
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Ruidoso |
Cleveland |
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| The virtue of the camera is not the power it | Above all, it's hard learning to live with vivid |
| has to transform the photographer into an | mental images of scenes I cared for and failed |
| artist, but the impulse it gives him to keep on | to photograph. It is the edgy existence within |
| looking. - Brooks Anderson | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| The difficulty with color is to go beyond the | be made. - Sam Abell |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | It is not the language of painters but the |
| something. It's difficult. So often color gets | language of nature which one should listen to. |
| caught up in color, and it becomes merely | . . . The feeling for the things themselves, for |
| decorative. Some photographers use [ it ] | reality, is more important than the feeling for |
| brilliantly to make visual statements combining | pictures. - Vincent Van Gogh |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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