| I almost never set out to photograph a | I think you have to have a real point of view |
| landscape, nor do I think of my camera as a | that's your own. You have to tell it your way. |
| means of recording a mountain or an animal | And, I think that it's a mistake to shoot for a |
| unless I absolutely need a 'record shot'. My | specific magazine's point of view because it's |
| first thought is always of light. - Galen | never going to be as good. You have to shoot |
| Rowell | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
| One should really use the camera as though | |
| tomorrow you'd be stricken blind. | Pictures you have taken have an influence on |
| - Dorothea Lange | those that you are going to make. |
| | That's life! - John Sexton |
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Houston |
Fresno |
Rochester |
Billings |
North Hollywood |
Cocoa |
Brunswick |
Douglas |
Shreveport |
Detroit |
Hammond |
Newburgh |
Haverhill |
Vernal |
Geneva |
Sun City Center |
Minnetonka |
Perry |
Hadley |
Zumbrota |
Hutchinson |
Wilsonville |
Del City |
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| A great photograph is one that fully expresses | Photography takes an instant out of time, |
| what one feels, in the deepest sense, about | altering life by holding it still. - Dorothea |
| what is being photographed. - Ansel | Lange |
| Adams | |
| | "Simply look with perceptive eyes at the |
| You can find pictures anywhere. It's simply a | world about you, and trust to your own |
| matter of noticing things and organizing them. | reactions and convictions. Ask yourself: |
| You just have to care about what's around you | "Does this subject move me to feel, think |
| and have a concern with humanity and the | and dream? Can I visualize a print - my own |
| human comedy. - Elliott Erwitt | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
|