| One should really use the camera as though | Photography takes an instant out of time, |
| tomorrow you'd be stricken blind. | altering life by holding it still. - Dorothea |
| - Dorothea Lange | Lange |
| | |
| The difficulty with color is to go beyond the | It is not the language of painters but the |
| fact that it's color to have it be not just a | language of nature which one should listen to. |
| colorful picture but really be a picture about | . . . The feeling for the things themselves, for |
| something. It's difficult. So often color gets | reality, is more important than the feeling for |
| caught up in color, and it becomes merely | pictures. - Vincent Van Gogh |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Dallas |
Seattle |
Bayside |
Salem |
Madison |
Yonkers |
Zanesville |
Belleville |
Tarzana |
Hoboken |
Oak Lawn |
Palo Alto |
Americus |
Watertown |
Tulare |
Crisfield |
Corning |
Eureka Springs |
Hardy |
Isle Of Palms |
Lawrenceville |
Millington |
Graham |
Dahlgren |
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| A good picture is equivalent to a good deed. | Photography is about finding out what can |
| - Vincent Van Gogh | happen in the frame. When you put four |
| | edges around some facts, you change those |
| A picture is the expression of an impression. If | facts. - Gary Winogrand |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| Sometimes you can tell a large story with a | as the event. During the work, you have to be |
| tiny subject. - Eliot Porter | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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