| You've got to push yourself harder. You've got | A great photograph is one that fully expresses |
| to start looking for pictures nobody else could | what one feels, in the deepest sense, about |
| take. You've got to take the tools you have and | what is being photographed. - Ansel |
| probe deeper. - William Albert Allard | Adams |
| | |
| Photography is a major force in explaining | You learn to see by practice. It's just like |
| man to man. - Edward Steichen | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| Pictures you have taken have an influence on | more you see. The more you photograph, the |
| those that you are going to make. | more you realize what can be photographed |
| That's life! - John Sexton | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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New York |
San Francisco |
Seattle |
Portland |
Puyallup |
Nampa |
Sioux City |
Glendale |
Wausau |
Richmond |
Carrollton |
Smithtown |
Lapeer |
Rice Lake |
Dansville |
Lenoir City |
Bluffton |
Boone |
Tahlequah |
San Rafael |
Deptford |
Reynoldsburg |
Troy |
Tucker |
Bowling Green |
Sausalito |
Pagosa Springs |
Glenwood Springs |
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| I almost never set out to photograph a | There is nothing worse than a sharp image of |
| landscape, nor do I think of my camera as a | a fuzzy concept. - Ansel Adams |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | "Simply look with perceptive eyes at the |
| first thought is always of light. - Galen | world about you, and trust to your own |
| Rowell | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| The virtue of the camera is not the power it | and dream? Can I visualize a print - my own |
| has to transform the photographer into an | personal statement of what I feel and want to |
| artist, but the impulse it gives him to keep on | convey - from the subject before me?" |
| looking. - Brooks Anderson | - Ansel Adams |
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