| A mad, keen photographer needs to get out | A room hung with pictures is a room hung with |
| into the world and work and make mistakes. | thoughts. - Sir Joshua Reynolds |
| - Sam Abell | |
| | Keep it simple. - Alfred Eienstaedt |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | A good picture is equivalent to a good deed. |
| colorful picture but really be a picture about | - Vincent Van Gogh |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | You can find pictures anywhere. It's simply a |
| decorative. Some photographers use [ it ] | matter of noticing things and organizing them. |
| brilliantly to make visual statements combining | You just have to care about what's around you |
| color and content; otherwise it is empty. | and have a concern with humanity and the |
| - Mary Ellen Mark | human comedy. - Elliott Erwitt |
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Phoenix |
Fort Lauderdale |
Portland |
Richmond |
Columbus |
Walnut Creek |
Staten Island |
Portsmouth |
Plymouth |
Sewickley |
Upper Sandusky |
Mount Pleasant |
Big Bear Lake |
Austintown |
Corinth |
Bend |
Loveland |
Cairo |
Waynesboro |
Monticello |
Mount Vernon |
Del Rio |
Stockbridge |
Marion |
Mt. Vernon |
Castro Valley |
Ferndale |
Branson |
Snyder |
Beaverton |
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| Photography is a major force in explaining | It is not the language of painters but the |
| man to man. - Edward Steichen | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| Photography knows how to authenticate its | reality, is more important than the feeling for |
| misrepresentations. - Mason Cooley | pictures. - Vincent Van Gogh |
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| Photography records the gamut of feelings | Above all, it's hard learning to live with vivid |
| written on the human face, the beauty of the | mental images of scenes I cared for and failed |
| earth and skies that man has inherited and the | to photograph. It is the edgy existence within |
| wealth and confusion man has created. | me of these unmade images that is the only |
| - Edward Steichen | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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