| I think the best pictures are often on the edges | Above all, it's hard learning to live with vivid |
| of any situation, I don't find photographing the | mental images of scenes I cared for and failed |
| situation nearly as interesting as | to photograph. It is the edgy existence within |
| photographing the edges. - William Albert | me of these unmade images that is the only |
| Allard | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
| Keep it simple. - Alfred Eienstaedt | |
| | "Simply look with perceptive eyes at the |
| A good picture is equivalent to a good deed. | world about you, and trust to your own |
| - Vincent Van Gogh | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Chicago |
Orlando |
Los Angeles |
Washington |
Austin |
Trenton |
South Bend |
Delray Beach |
Simi Valley |
Goodlettsville |
Marshfield |
Sun City Center |
San Antonio |
Winnfield |
Emporia |
Mountain View |
Falfurrias |
Ville Platte |
South Plainfield |
Branson |
St. Cloud |
Beaverton |
Cuyahoga Falls |
Trapper Creek |
Montezuma |
Pigeon Forge |
Sandy |
Freeport |
Flora |
Thornburg |
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| Photography is about finding out what can | The virtue of the camera is not the power it |
| happen in the frame. When you put four | has to transform the photographer into an |
| edges around some facts, you change those | artist, but the impulse it gives him to keep on |
| facts. - Gary Winogrand | looking. - Brooks Anderson |
| | |
| Photography is a major force in explaining | The difficulty with color is to go beyond the |
| man to man. - Edward Steichen | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Photography records the gamut of feelings | something. It's difficult. So often color gets |
| written on the human face, the beauty of the | caught up in color, and it becomes merely |
| earth and skies that man has inherited and the | decorative. Some photographers use [ it ] |
| wealth and confusion man has created. | brilliantly to make visual statements combining |
| - Edward Steichen | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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