| [Photography] is a way of feeling, of touching, | A room hung with pictures is a room hung with |
| of loving. What you have caught on film is | thoughts. - Sir Joshua Reynolds |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | Sometimes you can tell a large story with a |
| - Aaron Siskind | tiny subject. - Eliot Porter |
| | |
| "Simply look with perceptive eyes at the | Keep it simple. - Alfred Eienstaedt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | A good picture is equivalent to a good deed. |
| "Does this subject move me to feel, think | - Vincent Van Gogh |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|
|
Houston |
Chicago |
San Antonio |
Philadelphia |
Kansas City |
Los Angeles |
Corpus Christi |
Redondo Beach |
Reading |
Lake Oswego |
Rocky Mount |
Hamilton |
Kerrville |
Highland |
Hialeah |
Norwich |
Longwood |
East Peoria |
Berkeley |
Auburn |
Randolph |
Brandon |
Anthony |
Thorofare |
Franklin |
Hyannis |
South Haven |
Robstown |
The Villages |
|
|
| A mad, keen photographer needs to get out | I think you have to have a real point of view |
| into the world and work and make mistakes. | that's your own. You have to tell it your way. |
| - Sam Abell | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| The difficulty with color is to go beyond the | never going to be as good. You have to shoot |
| fact that it's color to have it be not just a | for yourself and photograph [the way] you |
| colorful picture but really be a picture about | believe it. - Mary Ellen Mark |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Photography is a major force in explaining |
| decorative. Some photographers use [ it ] | man to man. - Edward Steichen |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|