| Photography takes an instant out of time, | Memory is very important, the memory of |
| altering life by holding it still. - Dorothea | each photo taken, flowing at the same speed |
| Lange | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| Photography is my passion. - Alfred | captured everything, because afterwards it will |
| Stieglitz | be too late. - Henri Cartier Bresson |
| | |
| "Simply look with perceptive eyes at the | Photography is a major force in explaining |
| world about you, and trust to your own | man to man. - Edward Steichen |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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| A great photograph is one that fully expresses | My own eyes are no more than scouts on a |
| what one feels, in the deepest sense, about | preliminary search, for the camera's eye may |
| what is being photographed. - Ansel | entirely change my idea. - Edward |
| Adams | Weston |
| | |
| You learn to see by practice. It's just like | The difficulty with color is to go beyond the |
| playing tennis, you get better the more you | fact that it's color to have it be not just a |
| play. The more you look around at things, the | colorful picture but really be a picture about |
| more you see. The more you photograph, the | something. It's difficult. So often color gets |
| more you realize what can be photographed | caught up in color, and it becomes merely |
| and what can't be photographed. You just have | decorative. Some photographers use [ it ] |
| to keep doing it. - Eliot Porter | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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