| A great photograph is one that fully expresses | A mad, keen photographer needs to get out |
| what one feels, in the deepest sense, about | into the world and work and make mistakes. |
| what is being photographed. - Ansel | - Sam Abell |
| Adams | |
| | The camera makes everyone a tourist in other |
| A room hung with pictures is a room hung with | people's reality. - Susan Sontag |
| thoughts. - Sir Joshua Reynolds | |
| | The virtue of the camera is not the power it |
| Keep it simple. - Alfred Eienstaedt | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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Chicago |
Orlando |
Charlotte |
Bronx |
Denver |
Lexington |
Holland |
Little Rock |
Vincennes |
Morristown |
Trenton |
Long Branch |
Owatonna |
King |
Mequon |
Pomona |
Vineland |
Westport |
Rockdale |
Fairview Park |
Sandusky |
Fremont |
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| Memory is very important, the memory of | It is not the language of painters but the |
| each photo taken, flowing at the same speed | language of nature which one should listen to. |
| as the event. During the work, you have to be | . . . The feeling for the things themselves, for |
| sure that you haven't left any holes, that you've | reality, is more important than the feeling for |
| captured everything, because afterwards it will | pictures. - Vincent Van Gogh |
| be too late. - Henri Cartier Bresson | |
| | Now to consult the rules of composition before |
| Pictures you have taken have an influence on | making a picture is a little like consulting the |
| those that you are going to make. | law of gravitation before going for a walk. |
| That's life! - John Sexton | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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