| The difficulty with color is to go beyond the | I think the best pictures are often on the edges |
| fact that it's color to have it be not just a | of any situation, I don't find photographing the |
| colorful picture but really be a picture about | situation nearly as interesting as |
| something. It's difficult. So often color gets | photographing the edges. - William Albert |
| caught up in color, and it becomes merely | Allard |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Keep it simple. - Alfred Eienstaedt |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| | what is being photographed. - Ansel |
| | Adams |
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New York |
Houston |
Philadelphia |
Miami |
Columbia |
Birmingham |
Flushing |
Culver City |
Monroe |
Laurinburg |
Dunmore |
Ashland |
Greensboro |
Mountain Home |
St. Peters |
Sterling |
Glen Ellyn |
Ellisville |
Westbury |
Pocomoke City |
Huntsville |
Oakdale |
Maui |
N. Richland Hills |
Paradise |
Fontana |
Jasper |
Hanover |
Bainbridge |
Monterrey |
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| [Photography] is a way of feeling, of touching, | ...words and pictures can work together to |
| of loving. What you have caught on film is | communicate more powerfully than either |
| captured forever . . . it remembers little things, | alone. -William Albert Allard |
| long after you have forgotten everything. | |
| - Aaron Siskind | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| Photography is my passion. - Alfred | And, I think that it's a mistake to shoot for a |
| Stieglitz | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| There is nothing worse than a sharp image of | for yourself and photograph [the way] you |
| a fuzzy concept. - Ansel Adams | believe it. - Mary Ellen Mark |
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