| A mad, keen photographer needs to get out | Photography knows how to authenticate its |
| into the world and work and make mistakes. | misrepresentations. - Mason Cooley |
| - Sam Abell | |
| | Photography is a major force in explaining |
| Photography suits the temper of this ageof | man to man. - Edward Steichen |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | Photography records the gamut of feelings |
| ideas, imagery, for a prolific worker who | written on the human face, the beauty of the |
| would be slowed down by painting or | earth and skies that man has inherited and the |
| sculpting, for one who sees quickly and acts | wealth and confusion man has created. |
| decisively, accurately. - Edward Weston | - Edward Steichen |
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San Diego |
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Las Vegas |
Greensboro |
Lexington |
Little Rock |
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Murfreesboro |
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Jackson |
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South Lake Tahoe |
Alliance |
Billerica |
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Seward |
Honolulu |
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| Photography is my passion. - Alfred | You learn to see by practice. It's just like |
| Stieglitz | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| "Simply look with perceptive eyes at the | more you see. The more you photograph, the |
| world about you, and trust to your own | more you realize what can be photographed |
| reactions and convictions. Ask yourself: | and what can't be photographed. You just have |
| "Does this subject move me to feel, think | to keep doing it. - Eliot Porter |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | A great photograph is one that fully expresses |
| convey - from the subject before me?" | what one feels, in the deepest sense, about |
| - Ansel Adams | what is being photographed. - Ansel |
| | Adams |
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