| I think you have to have a real point of view | No place is boring, if you've had a good |
| that's your own. You have to tell it your way. | night's sleep and have a pocket full of |
| And, I think that it's a mistake to shoot for a | unexposed film. - Robert Adams |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | Sometimes you can tell a large story with a |
| for yourself and photograph [the way] you | tiny subject. - Eliot Porter |
| believe it. - Mary Ellen Mark | |
| | I think the best pictures are often on the edges |
| Photography records the gamut of feelings | of any situation, I don't find photographing the |
| written on the human face, the beauty of the | situation nearly as interesting as |
| earth and skies that man has inherited and the | photographing the edges. - William Albert |
| wealth and confusion man has created. | Allard |
| - Edward Steichen | |
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Indianapolis |
Atlanta |
Glendale |
Las Vegas |
Bradenton |
Palm Bay |
Jupiter |
West Des Moines |
Bonham |
Burlington |
Plainfield |
Columbus |
Tomball |
Warrenville |
Duncansville |
Auburn |
Paso Robles |
Athens |
Abilene |
Mount Pleasant |
Walnut |
Milton |
Helena |
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| One should really use the camera as though | Once photography enters your bloodstream, |
| tomorrow you'd be stricken blind. | it's like a disease. - Anon |
| - Dorothea Lange | |
| | There is nothing worse than a sharp image of |
| A mad, keen photographer needs to get out | a fuzzy concept. - Ansel Adams |
| into the world and work and make mistakes. | |
| - Sam Abell | Photography is my passion. - Alfred |
| | Stieglitz |
| My own eyes are no more than scouts on a | |
| preliminary search, for the camera's eye may | It is not the language of painters but the |
| entirely change my idea. - Edward | language of nature which one should listen to. |
| Weston | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
|