| Photography is about finding out what can | A great photograph is one that fully expresses |
| happen in the frame. When you put four | what one feels, in the deepest sense, about |
| edges around some facts, you change those | what is being photographed. - Ansel |
| facts. - Gary Winogrand | Adams |
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| Photography knows how to authenticate its | Keep it simple. - Alfred Eienstaedt |
| misrepresentations. - Mason Cooley | |
| | A good picture is equivalent to a good deed. |
| Photography is a major force in explaining | - Vincent Van Gogh |
| man to man. - Edward Steichen | |
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New York |
Cincinnati |
Louisville |
Philadelphia |
Columbus |
Indianapolis |
Woodbridge |
Portsmouth |
Pekin |
Mount Airy |
Kailua Kona |
Temecula |
Agoura Hills |
Sulphur |
Orange |
Leavenworth |
Arkadelphia |
Ripley |
Dixon |
Stephenville |
Moberly |
Cedar Park |
Miami Beach North |
Auburn Hills |
Fremont |
Langley Park |
Hiram |
St Goar |
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| I almost never set out to photograph a | "Simply look with perceptive eyes at the |
| landscape, nor do I think of my camera as a | world about you, and trust to your own |
| means of recording a mountain or an animal | reactions and convictions. Ask yourself: |
| unless I absolutely need a 'record shot'. My | "Does this subject move me to feel, think |
| first thought is always of light. - Galen | and dream? Can I visualize a print - my own |
| Rowell | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| My own eyes are no more than scouts on a | - Ansel Adams |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | Now to consult the rules of composition before |
| Weston | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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