| Photography takes an instant out of time, | Photography knows how to authenticate its |
| altering life by holding it still. - Dorothea | misrepresentations. - Mason Cooley |
| Lange | |
| | I think you have to have a real point of view |
| Now to consult the rules of composition before | that's your own. You have to tell it your way. |
| making a picture is a little like consulting the | And, I think that it's a mistake to shoot for a |
| law of gravitation before going for a walk. | specific magazine's point of view because it's |
| Such rules and laws are deduced from the | never going to be as good. You have to shoot |
| accomplished fact; they are the products of | for yourself and photograph [the way] you |
| reflection . . . - Edward Weston | believe it. - Mary Ellen Mark |
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| The difficulty with color is to go beyond the | You can find pictures anywhere. It's simply a |
| fact that it's color to have it be not just a | matter of noticing things and organizing them. |
| colorful picture but really be a picture about | You just have to care about what's around you |
| something. It's difficult. So often color gets | and have a concern with humanity and the |
| caught up in color, and it becomes merely | human comedy. - Elliott Erwitt |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | A great photograph is one that fully expresses |
| color and content; otherwise it is empty. | what one feels, in the deepest sense, about |
| - Mary Ellen Mark | what is being photographed. - Ansel |
| | Adams |
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