| [Photography] is a way of feeling, of touching, | Sometimes you can tell a large story with a |
| of loving. What you have caught on film is | tiny subject. - Eliot Porter |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | You learn to see by practice. It's just like |
| - Aaron Siskind | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| Photography is my passion. - Alfred | more you see. The more you photograph, the |
| Stieglitz | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| There is nothing worse than a sharp image of | to keep doing it. - Eliot Porter |
| a fuzzy concept. - Ansel Adams | |
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Orlando |
Yuma |
Franklin |
Asheville |
Lakewood |
Fontana |
Kokomo |
Edison |
Hamilton |
Rutland |
Manchester |
Red Bank |
Sanford |
Meriden |
Fall River |
Chester |
Kalamazoo |
Santa Monica |
College Station |
Gloucester |
Mattoon |
Sylvania |
Cocanut Grove |
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| Memory is very important, the memory of | The difficulty with color is to go beyond the |
| each photo taken, flowing at the same speed | fact that it's color to have it be not just a |
| as the event. During the work, you have to be | colorful picture but really be a picture about |
| sure that you haven't left any holes, that you've | something. It's difficult. So often color gets |
| captured everything, because afterwards it will | caught up in color, and it becomes merely |
| be too late. - Henri Cartier Bresson | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Pictures you have taken have an influence on | color and content; otherwise it is empty. |
| those that you are going to make. | - Mary Ellen Mark |
| That's life! - John Sexton | |
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