| The difficulty with color is to go beyond the | Photography is a major force in explaining |
| fact that it's color to have it be not just a | man to man. - Edward Steichen |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | I think you have to have a real point of view |
| caught up in color, and it becomes merely | that's your own. You have to tell it your way. |
| decorative. Some photographers use [ it ] | And, I think that it's a mistake to shoot for a |
| brilliantly to make visual statements combining | specific magazine's point of view because it's |
| color and content; otherwise it is empty. | never going to be as good. You have to shoot |
| - Mary Ellen Mark | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
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Houston |
New York |
West Palm Beach |
Marietta |
Redlands |
Falls Church |
Norwalk |
Vienna |
Peoria |
Lake Worth |
Richmond |
Ontario |
Hesperia |
Escondido |
Sayre |
Statesboro |
Princeton |
Augusta |
Sandwich |
Park Rapids |
Coralville |
South Bend |
Sioux City |
Kalamazoo |
Foley |
Basking Ridge |
Apache Junction |
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| You learn to see by practice. It's just like | Photography takes an instant out of time, |
| playing tennis, you get better the more you | altering life by holding it still. - Dorothea |
| play. The more you look around at things, the | Lange |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | "Simply look with perceptive eyes at the |
| and what can't be photographed. You just have | world about you, and trust to your own |
| to keep doing it. - Eliot Porter | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| A good picture is equivalent to a good deed. | and dream? Can I visualize a print - my own |
| - Vincent Van Gogh | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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