| It is not the language of painters but the | You've got to push yourself harder. You've got |
| language of nature which one should listen to. | to start looking for pictures nobody else could |
| . . . The feeling for the things themselves, for | take. You've got to take the tools you have and |
| reality, is more important than the feeling for | probe deeper. - William Albert Allard |
| pictures. - Vincent Van Gogh | |
| | I think you have to have a real point of view |
| There is nothing worse than a sharp image of | that's your own. You have to tell it your way. |
| a fuzzy concept. - Ansel Adams | And, I think that it's a mistake to shoot for a |
| | specific magazine's point of view because it's |
| "Simply look with perceptive eyes at the | never going to be as good. You have to shoot |
| world about you, and trust to your own | for yourself and photograph [the way] you |
| reactions and convictions. Ask yourself: | believe it. - Mary Ellen Mark |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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Tucson |
Seattle |
Pueblo |
Binghamton |
Canton |
Blackfoot |
Decatur |
Iron Mountain |
Oak Ridge |
Greenwood |
Martin |
Waldorf |
Irving |
Bloomsburg |
Carpinteria |
Mount Holly |
Winter Park |
Southbury |
Troy |
Martinsville |
Alvin |
Teaneck |
Lakewood |
Abilene |
Chino |
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| A good picture is equivalent to a good deed. | The virtue of the camera is not the power it |
| - Vincent Van Gogh | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| A great photograph is one that fully expresses | looking. - Brooks Anderson |
| what one feels, in the deepest sense, about | |
| what is being photographed. - Ansel | One should really use the camera as though |
| Adams | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | My own eyes are no more than scouts on a |
| unexposed film. - Robert Adams | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| | Weston |
|