| Pictures you have taken have an influence on | A great photograph is one that fully expresses |
| those that you are going to make. | what one feels, in the deepest sense, about |
| That's life! - John Sexton | what is being photographed. - Ansel |
| | Adams |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | No place is boring, if you've had a good |
| earth and skies that man has inherited and the | night's sleep and have a pocket full of |
| wealth and confusion man has created. | unexposed film. - Robert Adams |
| - Edward Steichen | |
| | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
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New York |
Beaumont |
Hartford |
Columbia |
Las Vegas |
Muncie |
Aurora |
Myrtle Beach |
Anaheim |
Athens |
Milford |
Jacksonville Beach |
Freehold |
Danville |
Farmington |
Helena |
Hyannis |
Jesup |
Bronx |
Tulsa |
Woburn |
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| Now to consult the rules of composition before | The difficulty with color is to go beyond the |
| making a picture is a little like consulting the | fact that it's color to have it be not just a |
| law of gravitation before going for a walk. | colorful picture but really be a picture about |
| Such rules and laws are deduced from the | something. It's difficult. So often color gets |
| accomplished fact; they are the products of | caught up in color, and it becomes merely |
| reflection . . . - Edward Weston | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| There is nothing worse than a sharp image of | color and content; otherwise it is empty. |
| a fuzzy concept. - Ansel Adams | - Mary Ellen Mark |
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