| Now to consult the rules of composition before | The difficulty with color is to go beyond the |
| making a picture is a little like consulting the | fact that it's color to have it be not just a |
| law of gravitation before going for a walk. | colorful picture but really be a picture about |
| Such rules and laws are deduced from the | something. It's difficult. So often color gets |
| accomplished fact; they are the products of | caught up in color, and it becomes merely |
| reflection . . . - Edward Weston | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| [Photography] is a way of feeling, of touching, | color and content; otherwise it is empty. |
| of loving. What you have caught on film is | - Mary Ellen Mark |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
|
|
New York |
San Jose |
Tallahassee |
San Diego |
Torrance |
Santa Barbara |
Provo |
Evanston |
New Britain |
Cupertino |
Wallingford |
Indialantic |
Cranston |
Woodbury |
Franklin |
Conway |
Avon |
Cedartown |
Murfreesboro |
Runnemede |
Wilmington |
Mount Vernon |
Ft. Stockton |
Cleveland |
Corpus Christi |
Shell Beach |
Corte Madera |
Whitefish |
Agoura Hills |
Redlands |
|
|
| You've got to push yourself harder. You've got | You can find pictures anywhere. It's simply a |
| to start looking for pictures nobody else could | matter of noticing things and organizing them. |
| take. You've got to take the tools you have and | You just have to care about what's around you |
| probe deeper. - William Albert Allard | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| Photography is about finding out what can | |
| happen in the frame. When you put four | No place is boring, if you've had a good |
| edges around some facts, you change those | night's sleep and have a pocket full of |
| facts. - Gary Winogrand | unexposed film. - Robert Adams |
|