| Sometimes you can tell a large story with a | The virtue of the camera is not the power it |
| tiny subject. - Eliot Porter | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| Keep it simple. - Alfred Eienstaedt | looking. - Brooks Anderson |
| | |
| You can find pictures anywhere. It's simply a | One should really use the camera as though |
| matter of noticing things and organizing them. | tomorrow you'd be stricken blind. |
| You just have to care about what's around you | - Dorothea Lange |
| and have a concern with humanity and the | |
| human comedy. - Elliott Erwitt | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| | - Sam Abell |
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Houston |
Pittsburgh |
Staten Island |
Portland |
Memphis |
Charlotte |
San Francisco |
Greensboro |
Long Island City |
Galesburg |
Boulder |
Douglas |
Weslaco |
Dunmore |
Tucson |
Cerritos |
Mount Olive |
Ashland |
Seguin |
Los Angeles |
Midland |
Princess Anne |
Mount Shasta |
Rocky Mount |
Clinton |
Kelso |
La Quinta |
Silver Springs |
Charleston |
Carneys Point |
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| There is nothing worse than a sharp image of | Photography is about finding out what can |
| a fuzzy concept. - Ansel Adams | happen in the frame. When you put four |
| | edges around some facts, you change those |
| Above all, it's hard learning to live with vivid | facts. - Gary Winogrand |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | Memory is very important, the memory of |
| me of these unmade images that is the only | each photo taken, flowing at the same speed |
| assurance that the best photographs are yet to | as the event. During the work, you have to be |
| be made. - Sam Abell | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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