| A mad, keen photographer needs to get out | Pictures you have taken have an influence on |
| into the world and work and make mistakes. | those that you are going to make. |
| - Sam Abell | That's life! - John Sexton |
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| Photography suits the temper of this ageof | You've got to push yourself harder. You've got |
| active bodies and minds. It is a perfect | to start looking for pictures nobody else could |
| medium for one whose mind is teeming with | take. You've got to take the tools you have and |
| ideas, imagery, for a prolific worker who | probe deeper. - William Albert Allard |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | Memory is very important, the memory of |
| decisively, accurately. - Edward Weston | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Tampa |
Madison |
Chicago |
Sioux Falls |
Mobile |
Littleton |
Alliance |
Clarksville |
Evansville |
San Angelo |
Temecula |
Salisbury |
Encinitas |
Fort Scott |
Portland |
Lumberton |
Troy |
Bridgeport |
Sanford |
Rockville |
Cortland |
Dubuque |
National City |
Englewood |
Florence |
Collins |
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| Sometimes you can tell a large story with a | [Photography] is a way of feeling, of touching, |
| tiny subject. - Eliot Porter | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| A room hung with pictures is a room hung with | long after you have forgotten everything. |
| thoughts. - Sir Joshua Reynolds | - Aaron Siskind |
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| No place is boring, if you've had a good | Now to consult the rules of composition before |
| night's sleep and have a pocket full of | making a picture is a little like consulting the |
| unexposed film. - Robert Adams | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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