| Photography is about finding out what can | Above all, it's hard learning to live with vivid |
| happen in the frame. When you put four | mental images of scenes I cared for and failed |
| edges around some facts, you change those | to photograph. It is the edgy existence within |
| facts. - Gary Winogrand | me of these unmade images that is the only |
| | assurance that the best photographs are yet to |
| You've got to push yourself harder. You've got | be made. - Sam Abell |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | Now to consult the rules of composition before |
| probe deeper. - William Albert Allard | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
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Orlando |
Columbus |
Dallas |
Baltimore |
Wilmington |
Houston |
Wichita |
Harrisonburg |
Oklahoma City |
Victoria |
Danville |
Plainview |
Avon Park |
Fort Lauderdale |
Stockton |
Big Bear Lake |
Cleveland |
Madeira Beach |
Middleton |
Hobart |
Redwood City |
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| The camera makes everyone a tourist in other | You can find pictures anywhere. It's simply a |
| people's reality. - Susan Sontag | matter of noticing things and organizing them. |
| | You just have to care about what's around you |
| One should really use the camera as though | and have a concern with humanity and the |
| tomorrow you'd be stricken blind. | human comedy. - Elliott Erwitt |
| - Dorothea Lange | |
| | Keep it simple. - Alfred Eienstaedt |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | No place is boring, if you've had a good |
| colorful picture but really be a picture about | night's sleep and have a pocket full of |
| something. It's difficult. So often color gets | unexposed film. - Robert Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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