| ...words and pictures can work together to | No place is boring, if you've had a good |
| communicate more powerfully than either | night's sleep and have a pocket full of |
| alone. -William Albert Allard | unexposed film. - Robert Adams |
| | |
| Photography is about finding out what can | A picture is the expression of an impression. If |
| happen in the frame. When you put four | the beautiful were not in us, how would we |
| edges around some facts, you change those | ever recognize it? - Ernst Haas |
| facts. - Gary Winogrand | |
| | You learn to see by practice. It's just like |
| You've got to push yourself harder. You've got | playing tennis, you get better the more you |
| to start looking for pictures nobody else could | play. The more you look around at things, the |
| take. You've got to take the tools you have and | more you see. The more you photograph, the |
| probe deeper. - William Albert Allard | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Los Angeles |
Phoenix |
Denver |
Boulder |
Evansville |
Lansing |
Bayside |
Lincoln |
San Mateo |
Lombard |
Arroyo Grande |
New Iberia |
Allentown |
Mission Viejo |
Douglas |
Jonesboro |
Wakefield |
Blairsville |
Topeka |
Lawrenceville |
Bowling Green |
Homosassa |
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| The camera makes everyone a tourist in other | "Simply look with perceptive eyes at the |
| people's reality. - Susan Sontag | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| One should really use the camera as though | "Does this subject move me to feel, think |
| tomorrow you'd be stricken blind. | and dream? Can I visualize a print - my own |
| - Dorothea Lange | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| Photography suits the temper of this ageof | - Ansel Adams |
| active bodies and minds. It is a perfect | |
| medium for one whose mind is teeming with | Above all, it's hard learning to live with vivid |
| ideas, imagery, for a prolific worker who | mental images of scenes I cared for and failed |
| would be slowed down by painting or | to photograph. It is the edgy existence within |
| sculpting, for one who sees quickly and acts | me of these unmade images that is the only |
| decisively, accurately. - Edward Weston | assurance that the best photographs are yet to |
| | be made. - Sam Abell |
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