| A room hung with pictures is a room hung with | "Simply look with perceptive eyes at the |
| thoughts. - Sir Joshua Reynolds | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| Sometimes you can tell a large story with a | "Does this subject move me to feel, think |
| tiny subject. - Eliot Porter | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| Keep it simple. - Alfred Eienstaedt | convey - from the subject before me?" |
| | - Ansel Adams |
| I think the best pictures are often on the edges | |
| of any situation, I don't find photographing the | Once photography enters your bloodstream, |
| situation nearly as interesting as | it's like a disease. - Anon |
| photographing the edges. - William Albert | |
| Allard | |
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Chicago |
San Jose |
Denver |
Baton Rouge |
Glendale |
Fort Lauderdale |
Chandler |
Ann Arbor |
Palestine |
Burbank |
Blue Springs |
Buffalo |
Poplar Bluff |
Wapakoneta |
Elmhurst |
Warwick |
Wauwatosa |
Hartford |
Madeira Beach |
Birmingham |
San Benito |
Albany |
Moscow |
Ashland |
Huntington Beach |
Beaufort |
Russell |
Rocklin |
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| My own eyes are no more than scouts on a | Pictures you have taken have an influence on |
| preliminary search, for the camera's eye may | those that you are going to make. |
| entirely change my idea. - Edward | That's life! - John Sexton |
| Weston | |
| | You've got to push yourself harder. You've got |
| One should really use the camera as though | to start looking for pictures nobody else could |
| tomorrow you'd be stricken blind. | take. You've got to take the tools you have and |
| - Dorothea Lange | probe deeper. - William Albert Allard |
| | |
| I almost never set out to photograph a | ...words and pictures can work together to |
| landscape, nor do I think of my camera as a | communicate more powerfully than either |
| means of recording a mountain or an animal | alone. -William Albert Allard |
| unless I absolutely need a 'record shot'. My | |
| first thought is always of light. - Galen | |
| Rowell | |
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