| A picture is the expression of an impression. If | There is nothing worse than a sharp image of |
| the beautiful were not in us, how would we | a fuzzy concept. - Ansel Adams |
| ever recognize it? - Ernst Haas | |
| | Above all, it's hard learning to live with vivid |
| Sometimes you can tell a large story with a | mental images of scenes I cared for and failed |
| tiny subject. - Eliot Porter | to photograph. It is the edgy existence within |
| | me of these unmade images that is the only |
| No place is boring, if you've had a good | assurance that the best photographs are yet to |
| night's sleep and have a pocket full of | be made. - Sam Abell |
| unexposed film. - Robert Adams | |
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Chicago |
Brooklyn |
San Antonio |
Denver |
Quincy |
Greensboro |
Waterford |
Walterboro |
Harlingen |
Yorba Linda |
Milford |
Carson |
Washington |
Burlington |
North Adams |
Wytheville |
Nampa |
Independence |
Ely |
Boone |
Brainerd |
Haverhill |
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| A mad, keen photographer needs to get out | Memory is very important, the memory of |
| into the world and work and make mistakes. | each photo taken, flowing at the same speed |
| - Sam Abell | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| I almost never set out to photograph a | captured everything, because afterwards it will |
| landscape, nor do I think of my camera as a | be too late. - Henri Cartier Bresson |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | Pictures you have taken have an influence on |
| first thought is always of light. - Galen | those that you are going to make. |
| Rowell | That's life! - John Sexton |
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