| You've got to push yourself harder. You've got | I think the best pictures are often on the edges |
| to start looking for pictures nobody else could | of any situation, I don't find photographing the |
| take. You've got to take the tools you have and | situation nearly as interesting as |
| probe deeper. - William Albert Allard | photographing the edges. - William Albert |
| | Allard |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | A good picture is equivalent to a good deed. |
| earth and skies that man has inherited and the | - Vincent Van Gogh |
| wealth and confusion man has created. | |
| - Edward Steichen | Sometimes you can tell a large story with a |
| | tiny subject. - Eliot Porter |
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Houston |
San Antonio |
Tulsa |
Coral Springs |
Jonesboro |
Pekin |
Biloxi |
Tucson |
Libertyville |
Annapolis |
Montauk |
Ottawa |
Greencastle |
Crete |
Silverdale |
Staten Island |
South Haven |
Richmond |
Rayne |
Santa Nella |
Brookhaven |
Orange Village |
Chittenden |
Garden Grove |
Mechanicsville |
Jonesville |
Woodcliff Lake |
Pikesville |
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| Photography is my passion. - Alfred | A mad, keen photographer needs to get out |
| Stieglitz | into the world and work and make mistakes. |
| | - Sam Abell |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | My own eyes are no more than scouts on a |
| reactions and convictions. Ask yourself: | preliminary search, for the camera's eye may |
| "Does this subject move me to feel, think | entirely change my idea. - Edward |
| and dream? Can I visualize a print - my own | Weston |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | The difficulty with color is to go beyond the |
| - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|