| Sometimes you can tell a large story with a | Photography takes an instant out of time, |
| tiny subject. - Eliot Porter | altering life by holding it still. - Dorothea |
| | Lange |
| A great photograph is one that fully expresses | |
| what one feels, in the deepest sense, about | "Simply look with perceptive eyes at the |
| what is being photographed. - Ansel | world about you, and trust to your own |
| Adams | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| A room hung with pictures is a room hung with | and dream? Can I visualize a print - my own |
| thoughts. - Sir Joshua Reynolds | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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New York |
Los Angeles |
Pittsburgh |
Washington |
Baltimore |
Littleton |
Las Cruces |
Toms River |
York |
Roanoke |
Birmingham |
North Hollywood |
Temecula |
Missoula |
Dunkirk |
Racine |
Yakima |
Richmond |
New Smyrna Beach |
Vernon |
Mt. Hope Beckley |
Pueblo |
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Cocoa Beach |
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Pearland |
Chesterton |
John Day |
Avon |
Cheyenne |
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| I think you have to have a real point of view | The camera makes everyone a tourist in other |
| that's your own. You have to tell it your way. | people's reality. - Susan Sontag |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | I almost never set out to photograph a |
| never going to be as good. You have to shoot | landscape, nor do I think of my camera as a |
| for yourself and photograph [the way] you | means of recording a mountain or an animal |
| believe it. - Mary Ellen Mark | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| Memory is very important, the memory of | Rowell |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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