| You've got to push yourself harder. You've got | Sometimes you can tell a large story with a |
| to start looking for pictures nobody else could | tiny subject. - Eliot Porter |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| Photography knows how to authenticate its | ever recognize it? - Ernst Haas |
| misrepresentations. - Mason Cooley | |
| | No place is boring, if you've had a good |
| I think you have to have a real point of view | night's sleep and have a pocket full of |
| that's your own. You have to tell it your way. | unexposed film. - Robert Adams |
| And, I think that it's a mistake to shoot for a | |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | |
| believe it. - Mary Ellen Mark | |
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Philadelphia |
Denver |
Fort Worth |
Corpus Christi |
Lincoln |
Worcester |
Spokane |
Staten Island |
Vineland |
Palm Desert |
Bainbridge |
Ormond Beach |
Austintown |
Covington |
New Windsor |
Beaver Falls |
Radcliff |
Roanoke Rapids |
Jonesboro |
Huntersville |
Dover |
Vista |
San Juan Capistrano |
Red River |
West Dundee |
Monterey Park |
Pueblo West |
Belfast |
Marietta |
San Diego |
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| Photography is my passion. - Alfred | I almost never set out to photograph a |
| Stieglitz | landscape, nor do I think of my camera as a |
| | means of recording a mountain or an animal |
| "Simply look with perceptive eyes at the | unless I absolutely need a 'record shot'. My |
| world about you, and trust to your own | first thought is always of light. - Galen |
| reactions and convictions. Ask yourself: | Rowell |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | The difficulty with color is to go beyond the |
| personal statement of what I feel and want to | fact that it's color to have it be not just a |
| convey - from the subject before me?" | colorful picture but really be a picture about |
| - Ansel Adams | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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